Korg TR Music Workstation Operation Guide 2E ii Manuel d'utilisateur

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Page 1 - Operation Guide

Operation Guide2E

Page 2 - About copyright

4• Create and playback patterns in realtime, using the RPPR (Realtime Pattern Play/Recording) function.Global mode• Make settings that affect the enti

Page 3 - About this manual

94Multisample editingEditing a multisample is accomplished with a number of operations i.e. creating indexes for the multisample and assigning a sampl

Page 4 - Table of Contents

95Basic functionsSampling modeUsing Time Slice to divide a sam-ple and play it in Sequencer modeTime Slice automatically detects the attacks of the ki

Page 5

96Seq.Event: PatternSong: 001, Pattern: U00, Meter: 4/4RPPR: On (checked), Key: C#2, Track: 01Press the [F8] (“Save”) key. to save your settings.You w

Page 6

97Basic functionsGlobal modeGlobal modeIn Global mode you can make settings that affect the entire TR, such as user scales, category names, drum kits,

Page 7

98Editing a drum kitBefore editing a drum kit, uncheck the Memory Protect (☞p.43).1 In PROG 1.1: Play, select the program that you wish to use while e

Page 8 - EXB-SMPL sampling upgrade

99Basic functionsGlobal modeA Set the “Excl Group (Exclusive Group).”The “Excl Group (Exclusive Group)” setting is used when you wish to group drumsam

Page 9 - Overview of the modes

100Media modeHow Media mode is organizedIn Media mode you can use an SD card or a connected external SCSI device (if the separately sold EXB-SMPL is i

Page 10 - Sampling mode

101Basic functionsMedia modeLoading dataTypes of data that can be loadedThe data that can be loaded from external media (e.g., SD card) is shown in th

Page 11 - Front and rear panel

1022 Enter Media mode, and press any function key to make the TR recognize the media.3 Select the Load page.The LCD screen will display file informatio

Page 12

103Basic functionsArpeggiator settingsArpeggiator settingsThis chapter describes the procedure for making arpeggiator settings in each mode. For detai

Page 13 - PAGE +/–] key

5IntroductionFront and rear panelFront and rear panelFront panel1. [SW1] key, [SW2] keyThese keys are on/off switches for the functions to which they

Page 14 - Rear panel

1044 Make settings for the various parameters.“Octave”: Select the octave range in which the arpeggio will be played.If a user arpeggio pattern is sel

Page 15

105Basic functionsArpeggiator settings“Vel Btm,” “Vel Top”: The arpeggiator will operate when you play notes with a velocity (playing strength) that i

Page 16 - ☞p.16). For parame

106You can use keyboard ranges or playing velocity to operate the arpeggiator, or to switch between arpeg-giators A and B. By using the COMBI 3.3: Ed-

Page 17

107Basic functionsArpeggiator settingsCreating a user arpeggio patternAbout user arpeggio patternsThe patterns that can be selected on the TR’s arpegg

Page 18 - Headphones

108• Tone: At each step, a chord consisting of up to 12 tones (Tone No. 00–11) can be sounded.To input tones, select “Step (Step No.)” and then use nu

Page 19 - 2. Connections to a computer

109Basic functionsArpeggiator settingsOther examples of creating a user arpeggio pat-ternMelody pattern1 Set “Step (Step No.)” to 01, and press the [0

Page 20 - Connecting separately sold

1103 Select the Edit page.Each Tone in the display will be shown as a small circle.For each horizontal line (Tone) in the display, you will specify a

Page 21 - Basic operation

111Basic functionsArpeggiator settings8 If you wish to save the state of the combination at the same time, return to Combination mode and write the co

Page 22 - 4. Setting a parameter

112Effects settingsThe effect section of the TR provides one insert effect, two master effects, one master EQ (stereo 3-band EQ), and a mixer that con

Page 23

113Basic functionsEffects settingsOff: The output will not be sent to AUDIO OUT-PUT (MAIN) L/MONO, R, or to (INDIVIDUAL) 1, 2 (After passing through t

Page 24 - Quick Start

6[3] EG-INTENSITY:Controls the filter EG intensity.[4] EG-RELEASE:Controls the filter/amp release time.B-mode[1] ASSIGNABLE 1:[2] ASSIGNABLE 2:[3] ASSIG

Page 25 - Listening to the demo songs

114Effect settings in combination, and songIn Combination, and Sequencer modes, you can spec-ify the routing of each timbre/track to the insert effect

Page 26 - Playing a cue list

115Basic functionsEffects settingsEffect settings for the AUDIO INPUT (requires the EXB-SMPL option)Even in modes other than Sampling mode, the TR’s e

Page 27 - Selecting a program

116Using the Dmod function to vary the feedback level by operating [SW1] key5 In the PROG 2.2: Ed-Ctrl, Controls page, set the function of “SW1” to SW

Page 28 - ☞PG p.234)

117Basic functionsOther functionsOther functionsTuning to another instrument/TransposingWhen you play this instrument together with other instruments,

Page 29 - Selecting a combination

1186 Set “Foot SW Polarity” to the polarity of the pedal you connected.If you connected a Korg PS-1 pedal switch, select (-) KORG Standard. The pedal

Page 30 - SW1, SW2

119Basic functionsOther functionsSetting the function of [SW1] and [SW2]You can specify the function of the [SW1] and [SW2] keys (☞PG p.224).The funct

Page 31 - A-mode controls

120Adjusting the contrast (brightness) of the LCD screenUse the GLOBAL 1.1: System, Preference page “LCD Contrast” to make adjustments. (☞p.121, PG p.

Page 32 - Foot pedals

121AppendicesTroubleshootingAppendicesTroubleshootingIf you experience problems, refer to the relevant item and take the appropriate measures.Power do

Page 33 - Settings using controllers

122The actual send level is determined by multiplying the send setting of each oscillator in the program with the send setting of the timbre/track.Whe

Page 34 - Settings in the LCD screen

123AppendicesTroubleshooting• Is the SD card set to the “protected” setting?Turn off the write protect switch, insert the card back into the slot, and

Page 35 - Using the arpeggiator as you

7IntroductionFront and rear panel[VALUE] dialUse this dial to modify the value of the parameter.[INC]/[DEC] keysThese are used to increase or decrease

Page 36 - ☞p.108)

124Specifications and optionsSpecificationsSystemHI (Hyper Integrated) synthesis systemModesCombination, Program, Sequencer, Global, Media, Sampling (if

Page 37 - Play/Recording) function

125AppendicesSpecifications and optionsAudio outputs1/4" AUDIO OUTPUT (MAIN) L/MONO, R:1/4" AUDIO OUTPUT (INDIVIDUAL) 1, 21/4" AUDIO OUT

Page 38 - Simple program editing

126MIDI Implementation ChartMIDI Implementation ChartDate : 2005. 08. 12Basic ChannelDefaultChangedAftertouchPitch BendPolyphonic (Key)Monophonic (Cha

Page 39 - Simple combination editing

127AppendicesIndexIndexNumerics10’s HOLD...22AADC OVER!... 35, 39After Touch...

Page 40 - Writing the combination

128IIFX Balance...32Index...36, 37, 86, 88, 91, 92, 93, 94(INDIVIDUAL) 1, 2...9Input settin

Page 41 - Sampling (recording a sample)

129AppendicesIndexRoutingAUDIO INPUT... 115Combination, Sequencer... 114Program ...112Sampling.

Page 42 - 5. Record a sample

KORG INC.4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan 2005 KORG INC.IMPORTANT NOTICE TO CONSUMERSThis product has been manufactured according t

Page 43

813.SEQUENCER/SAMPLING(If the separately sold EXB-SMPL option is installed)[PAUSE] keyThis key pauses playback of a song or cue list (the key will lig

Page 44 - Saving sample data

9IntroductionFront and rear panel(MAIN) L/MONO, RThese are unbalanced phone jacks (☞p.12).These are the main audio output jacks. By setting “Bus Selec

Page 45 - Sampling and looping a drum

10Objects and functions in the LCD screena: Current pageThis indicates the currently selected page within the mode. From the left, this area shows the

Page 46 - 5. Make loop settings

11IntroductionFront and rear panel* Dialog boxesWhen you select a utility menu command etc., a dialog box will open.Use the cursor keys [ ], [ ], [ ],

Page 47

12SetupConnecting audio equipment etc.Connections must be made with the power turned off. Please be aware that careless operation may damage your spea

Page 48

13IntroductionSetup3. Connecting pedals etc.Foot pedal connectionsA foot pedal can be connected to control the volume or other functions.Connect a sep

Page 49 - Writing to internal memory

iiTo ensure long, trouble-free operation, please read this manual carefully. Precautions Location Using the unit in the following locations can result

Page 50 - About the Edit Buffer

14Inserting/removing a card in the SD card slotIf an SD card is inserted in the SD card slot, you can use it to save or load various types of TR data.

Page 51 - Memory in Global mode

15IntroductionBasic operationBasic operationSelecting modes, pages and tabs; setting parameters1. Selecting modesIn order to use a particular function

Page 52 - Saving on external media

16Selecting a tab5 Press the function key [F1]–[F7] that is nearest the tab displayed at the bottom of the LCD screen.As an example, we will select th

Page 53 - MIDI data dump

17IntroductionBasic operation5 If after recording two different takes on the same track, you record a third, the Compare function will now alternate b

Page 54 - Loading the preloaded data

18Quick StartTurning the power on/offBefore you turn on the power, make sure that the desired connections have been made as described in “Setup” (☞p.1

Page 55 - Program mode

19Quick StartListening to the demo songsListening to the demo songsLoading demo playback dataThe TR contains demo songs (and preloaded data). This dat

Page 56 - OSC1 page, OSC2 page

20Playing a cue listHere’s how to playback the demonstration cue list. By using a cue list, you can repeatedly play multiple songs that you specify in

Page 57 - Pitch settings 3.1: Ed–Pitch

21Quick StartSelecting and playing a programSelecting and playing a programIn Program mode you can select and play a program from banks A–D, G, g(d).

Page 58 - Filter settings

22Selecting programs by categoryYou can select programs by categories such as key-board, organ, bass, and drums.With the factory settings, all the pre

Page 59

23Quick StartSelecting and playing a combinationSelecting and playing a combinationIn Combination mode you can select and play a combi-nation from ban

Page 60 - 5.1: Ed–Amp1, 5.2: Ed–Amp2

iii Thank you for purchasing the Korg TR music workstation . To ensure trouble-free enjoyment, please read this manual carefully and use the instrum

Page 61

24Using controllers to modify the soundThe TR provides various controllers – a joystick, the SW1 and SW2 switches, and the REALTIME CON-TROL [1], [2],

Page 62 - Auto Song Setup function

25Quick StartUsing controllers to modify the soundIf the function of the [SW1] or [SW2] key is set to JS X Lock, JS+Y Lock, or JS-Y Lock, the tone tha

Page 63 - Combination mode

26B-mode controlsYou can control parameters such as volume, porta-mento time, pan or filter and amp EG, pitch LFO, and master effect send levels etc.Th

Page 64 - 2.1: Ed–Prog/Mix

27Quick StartUsing the arpeggiator while you playUsing the arpeggiator while you playThe arpeggiator is a function that automatically gener-ates arpeg

Page 65

28Adjusting the arpeggiator tempo1 Press the REALTIME CONTROLS [SELECT] key to make the right “C” LED light.2 Rotate the [TEMPO] knob to adjust the te

Page 66 - 3.3: Ed–Key Zone

29Quick StartUsing the arpeggiator while you playChecked: the arpeggio will sound each note in the order of its pitch, regardless of the order in whic

Page 67

30Checking the structure of a user arpeggio patternLet’s see how combination C053: Echo Jamm is con-structed.1 Select combination C053: Echo Jamm, and

Page 68

31Quick StartPlaying with the RPPR (Realtime Pattern Play/Playing with the RPPR (Realtime Pattern Play/Recording) functionThis instrument’s Sequencer

Page 69 - Sequencer mode

32Simple program editingBy operating the performance editor and the realtime controllers you can easily and intuitively modify the sound of a program.

Page 70 - Cue List

33Quick StartSimple combination editingSimple combination editingA combination is a set of multiple (up to eight) pro-grams, and allows you to create

Page 71 - Producing a song

iv Table of Contents Introduction ...1 Overview... 1 Main features ...

Page 72 - 3. Recording the bass track

34Listening to the program sound of just one timbrePress the [F8] (“UTILITY”) key to access the utility menu, and press the [F7] key to choose “Solo S

Page 73 -       

35Quick StartSampling (recording a sample)Sampling (recording a sample)If the EXB-SMPL option (sold separately) is installed, you will be able to reco

Page 74 - ☞PG p.79)

36Set “Pre Trigger” to 5 ms.With this setting, sample recording will begin 5 ms earlier than (i.e., immediately before) sampling is actually triggered

Page 75

37Quick StartSampling (recording a sample)3 Select “Insert Effect,” use the numeric keys to enter 52, and press the [ENTER] key to confirm 52: Rev Hall

Page 76 - [LOCATE] settings

38Saving sample dataHere’s how to save a sample or multisample that you created.All samples and multisamples in the TR will be lost when the power is

Page 77 - Song editing methods

39Quick StartSampling (recording a sample)Sampling and looping a drum phraseHere’s how you can sample a drum phrase (or similar phrase) from an audio

Page 78 - About editing

404. Record the sample1 Press the [F1] (“Sample”) key to access the SMPL 1.1: Recording, Sample page.2 Press the [REC/WRITE] key.3 At the moment that

Page 79

41Quick StartSampling (recording a sample)Check “Grid,” set “Resolution” to  , and press the [F8] (“OK”) key. Set “ (Grid Tempo)” to 140. With these

Page 80

42Basic functionsSaving dataTypes of data that can be savedOn the TR, there are three ways to save data: writing to internal memory, saving on externa

Page 81 - Creating and recording RPPR

43Basic functionsSaving dataWriting to internal memoryMemory protectTo prevent programs, combinations, songs, user drum kits, and user arpeggio patter

Page 82 - RPPR playback

v Basic functions...42 Saving data...42 Types of data that can be saved ...42W

Page 83

44Assigning a name (Rename)You can modify the name of an edited program, combi-nation, song, drum kit, user arpeggio patterns etc..You can also modify

Page 84

45Basic functionsSaving dataWriting global settings, user drum kits, and user arpeggio patternsThe settings you edit in Global mode can be written int

Page 85

46Saving on external mediaFor details on the data that can be saved on external media (SD card etc.) (☞p.42 “Types of data that can be saved”).Song da

Page 86

47Basic functionsSaving data.KSC fileFiles listing the multisamples and samples created in Sampling mode (if the separately sold EXB-SMPL option is ins

Page 87 - Recording on the TR

48Restoring the factory settingsLoading the preloaded dataThe factory settings are referred to as the “preloaded data.” The action of restoring the pr

Page 88 - • Loop All Tracks

49Basic functionsProgram modeProgram modeIn Program mode you can select, play and edit pro-grams.Program mode consists of pages 1.1: Play–7.2: Ed–Mas-

Page 89

50The three elements of soundSound can be broken down into three elements: pitch, tone, and volume.On this instrument, these elements correspond to th

Page 90 - Step recording

51Basic functionsProgram mode1 Specify different multisamples for “High Multi-sample” and “Low Multisample.”2 Specify a velocity value for “Velocity S

Page 91

52OSC1 pagePitchThe “JS (–X)” and “JS(+X)” settings specify the amount of pitch change (in semitones) that will occur when MIDI pitch bend messages ar

Page 92

53Basic functionsProgram modeBasic pageFilter Type, Filter A, Filter BSelects the type of filter, and specify the “Frequency” (cutoff frequency) and “R

Page 93 - Samples and Multisamples

vi Loading data ...101 Types of data that can be loaded...101Data loading procedure...

Page 94 - Sampling

54Intensity: “to A (LFO1 Int. to A)” and “to B (LFO1 Int. to B)” specify by how much the LFO will change the tone.JS-Y Int.: “to A” and “to B” specify

Page 95 - Manual sampling

55Basic functionsProgram modeAmp Mod.“Velocity Int” is used by most programs to decrease the volume of softly played notes and increase the vol-ume of

Page 96 - Auto sampling

56More about Alternate ModulationAlternate Modulation is a type of modulation that can be used to control various aspects of the sound.AMS (Alternate

Page 97 - Index MS(Multisample Select)

57Basic functionsCombination modeCombination modeIn Combination mode you select, play and edit combi-nations.Combination mode consists of pages 1.1: P

Page 98 - Loop settings

58Layer, split, and velocity switchWithin a combination, you can use keyboard location and velocity to change the program that sounds. The programs as

Page 99

59Basic functionsCombination modeMix (Mixer) pagePanSpecifies the panning (stereo location) for each timbre. A setting of C064 will reproduce the oscil

Page 100 - Multisample editing

60Pitch pageTranspose, Detune (BPM Adjust)These parameters adjust the pitch of the timbre.• In a layer-type combination, you can set two or more timbr

Page 101 - Basic functions

61Basic functionsCombination modeVelocity switch settings3.4: Ed–Vel ZoneHere you can make settings for velocity switching and velocity crossfading.Ve

Page 102

62Auto Song Setup functionThis function automatically applies the settings of the current combination to a new song.If inspiration for a phrase or son

Page 103

63Basic functionsSequencer modeSequencer modeThis instrument contains a 16-multi track MIDI sequencer. The sequencer is the center to which TR’s numer

Page 104 - Editing a drum kit

1 Introduction Overview Introduction Overview Main features Overview The TR Music Workstation features Korg’s acclaimed HI (Hyper Integrated) synthes

Page 105

64The structure of Sequencer modeThe following describes the structure of Sequencer mode. (see diagram below)SongsA song consists of tracks 1–16, a ma

Page 106

65Basic functionsSequencer modeProducing a songThis section describes how to use the TR’s sequencer. As an example, we will create a song by following

Page 107 - Loading data

66Use the VALUE control to select T02: Bass, and play it from the keyboard. Next select T03–T08 in order, and play them from the keyboard. (The TR has

Page 108 - Saving data

67Basic functionsSequencer modeThere is also a “Quantize” function (SEQ 5.2: Track Edit Utility menu command) which corrects the tim-ing of performanc

Page 109 - Arpeggiator settings

68record phrases that would be impossible or too rapid to play “live.”Rapid phrases can also be recorded in realtime by temporarily slowing down the s

Page 110 - ☞PG p.25)

69Basic functionsSequencer mode7. Using controllers to record tonal changesLet’s try using the realtime controllers and the joystick to add effects to

Page 111 - Arpeggiator on/off

70Press the track 2 “SOLO On/Off” and press the [INC] key once.The display will change, and only the playback of tracks 1 and 2 will be heard.To turn

Page 112 - ☞PG p.138)

71Basic functionsSequencer modeWhen you are finished making these settings, the basic setup is complete. Record as described in “3. Record-ing the bass

Page 113 - “Vel (Velocity)” and “Flam.”

72A dialog box will appear.Input the number of measures for the song. For this example, select 008 (8 measures) and press the [F8] (“OK”) key.The perf

Page 114 - Creating an example pattern

73Basic functionsSequencer modeCreating and playing a Cue ListA cue list allows you to play multiple songs in succes-sion. For example you can create

Page 115

2SequencerTR provides a high-performance 16-track MIDI sequencer, with more than sufficient power for use as a stand-alone sequencer. The sequencer can

Page 116 - Dual arpeggiator editing

74If playback is not connected smoothly between songs when playing a cue listDepending on the effect settings, a certain amount of time may be require

Page 117 - Synchronizing the arpeggiator

75Basic functionsSequencer modeCreating and recording RPPR (Realtime Pattern Play/Record)This section explains how to assign a pattern to RPPR, and ho

Page 118 - Effects settings

76drums and bass to the C#2–B2 keys and use these keys to control pattern playback, and use keys C3 and above to play solos in realtime. It is a good

Page 119

77Basic functionsSequencer mode3 In the SEQ 1.1: Play/REC, Preference page, check the “Multi REC” check box.If “Recording Mode” is set to Loop All Tra

Page 120 - ☞p.113)

783 Hold down the [ENTER] key and press the [REC/WRITE] key.The “Setup to Record” dialog box will appear.4 Press the [F8] (“OK”) key to execute Auto S

Page 121 - About dynamic modulation

79Basic functionsSequencer modeIf the recorded performance is not reproduced cor-rectly during playbackIf you use the Utility menu command “Copy From

Page 122

80Caution and other functions in Sequencer modeTR song data and its compatibilityThe following two types of song data can be loaded from SD card into

Page 123 - Other functions

81Basic functionsSequencer modeRecording on the TRThe process by which your playing on this instru-ment’s keyboard and controllers is captured on the

Page 124 - Changing the scale

82• Manual punch-inWhile the song is playing, you can press the [REC/WRITE] key or a connected pedal switch at the desired location to start or stop r

Page 125 - REALTIME CONTROLS [1]–[4]

83Basic functionsSequencer modeBy checking the “Remove Data” check box you can erase only the specified data. During loop record-ing, press the note th

Page 126 - ☞PG p.127 Global

3IntroductionOverviewOverview of the modesThe TR has a large number of functions that let you play and edit programs and combinations, record and play

Page 127 - Appendices

84Step recordingThis is a method of recording where you specify the note timing, note length, and velocity etc. in the LCD screen, and use the keyboar

Page 128

85Basic functionsSequencer modeControl data in pattern recordingTo record control data in a pattern, you should restore the control data to its normal

Page 129

86Sampling modeThe separately sold EXB-SMPL option can be installed in the TR to add high-performance mono/stereo sam-pling functionality.Features of

Page 130 - Specifications and options

87Basic functionsSampling mode• Sample names and multisample names of up to 16 characters can be assigned. Sample names and multisample names can also

Page 131

88back of sample A producing “One-Two-Three,” sample B producing “One-Two,” and sample C producing “Two-Three.” (☞PG p.96).MultisamplesA multisample c

Page 132 - MIDI Implementation Chart

89Basic functionsSampling mode•“Pan” adjust the panning. For this example set it to L000.• Set “BUS.” If you wish to use the TR’s insert effect to pro

Page 133

903 Select the 1.1: Recording, Sample page.4 For “MS (Multisample Select),” select 000: NewMS____000.Immediately after the power is turned on, 000: Ne

Page 134

91Basic functionsSampling mode5 Select the “MS (Multisample Select).”(☞“Manual sampling” step 4)6 Select the sample in “SMPL (Sample Select)” that you

Page 135

92The recorded sample will automatically be assigned to the index you created in step 1.3 Repeat steps 1 and 2.This is an efficient way to record multi

Page 136 - KORG INC

93Basic functionsSampling modeThe following dialog box will appear.Check “Grid,” set “Resolution” as desired, and press the [F8] (“OK”) key. The dotte

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