Korg M3 Manuel d'utilisateur Page 25
- Page / 237
- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Front and rear panels Objects in the display
17
Quick Start
Introduction
SetupProgram
Combination
Sequencer
SamplingGlobalMediaEffectKARMA
Drum Track
Other
Appendices
Bottom panel
10. TO KYBD connector
Use the included cable to connect the M3 to the
keyboard assembly. For details, please see “Keyboard
assembly Manual.”
11. EXB option cover
You’ll need to open or close this cover when installing
the EXB-RADIAS, EXB-FW, or EXB-M256 separately
sold options into the M3, or when replacing the
calendar backup battery.
For details on installing, please see page 202.
Objects in the display
The M3 uses Korg’s TouchView graphical user
interface.
By touching on objects shown on the display, you can
select pages, set parameter values, rename programs
and combinations, write data, and perform many other
operations.
If the X–Y MODE switch is on, you won’t be able
to select parameters in the display. Turn this
switch off when you want to modify the settings.
Note: References in the M3’s manual to the “... button”
or “... tab” please see objects shown on the display.
References to the “... switch,” “... knob,” “... dial,” or
“... slider” please see controls on the front or rear panel
of the M3.
a: Current page
This indicates the current page within the selected
mode.
From the left, this area shows the mode name, page
number: name, and tab name.
b: Tab
Most pages are divided into two or more tabs.
c: Parameters
The parameters for various settings are displayed in
the display.
d: Edit cell
When you touch a parameter on the display, the
parameter or parameter value will usually be
highlighted (displayed in inverse video). This is called
the edit cell, and the highlighted item will be subject to
editing.
For details on how to edit the value, please see “3.
Selecting a parameter and editing the value” on
page 23.
a: Current page
f: Popup button (1)
g: Popup button (2)
e: Check box
h: Menu command
b: Tabd: Edit cell c: Parameter
Tab name
Mode name Page number
- IMPORTANT NOTICE TO CONSUMERS 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- About this manual 4
- Table of Contents 5
- Playing Programs and 10
- Combinations 10
- Selecting combinations 11
- Quick Start 12
- Listening to the demo songs 13
- Sequencer mode 14
- Introduction to the M3 15
- Front and rear panels 17
- M3-M Front panel 18
- 5. Drum/Chord Pads 19
- 3. DRUM TRACK 19
- 4. KARMA 19
- 12. COMPARE 21
- 13. PAGE SELECT 21
- 14. SAMPLING switches 21
- Rear panel/Bottom panel 23
- Objects in the display 25
- Basic Information 28
- Global mode 29
- Media mode 29
- Basic operations 30
- VALUE controllers 31
- 5. Writing/saving 32
- Turning the power on/off 33
- Connections 34
- Connecting audio equipment 35
- Analog audio input 36
- Digital audio output 36
- Digital audio input 36
- Connecting a damper pedal 37
- Connecting a computer 38
- MIDI connectors 39
- Local Control On settings 40
- Connecting MIDI devices 41
- Connecting a USB device 41
- (HDD, CD-R/RW, etc.) 41
- Installing the software 42
- Installing the M3 application 43
- KEYBOARD port 44
- SOUND port 44
- Playing and editing Programs 45
- Performing with KARMA and 48
- Using Controllers 49
- Keyboard 50
- X–Y controller 51
- PAD MODE 52
- CHORD ASSIGN 52
- Pads 1–8 52
- VALUE slider 53
- Damper Pedal 53
- Foot Switch 53
- Controller settings for the 54
- Easy Program editing 55
- Using COMPARE 57
- Saving your edits 58
- Overview of editing pages 59
- Basic oscillator settings 59
- Polyphonic/monophonic playing 60
- Working with Multisamples 60
- Multisample popup button 61
- Waveform 62
- Using Alternate Modulation 63
- (AMS) and the AMS Mixers 63
- Controlling Pitch 64
- Using Filters 65
- Filter Types 66
- Modulating the filters 66
- LFO modulation 67
- Keyboard Track 67
- Using the Amp section 68
- Amp modulation 69
- X–Y control settings 70
- KARMA settings 71
- Drum Track settings 71
- Automatically importing a 72
- Program into Sequence mode 72
- Playing combinations 73
- Auditioning the sound 74
- Overview: Combination Banks 74
- Using controllers to modify 75
- Easy Combination editing 76
- Control Assign 77
- Switches 1–8 77
- Sliders 1–8 77
- Reset Controls 77
- A suggested approach for 79
- Layers, Splits, and Velocity 79
- Switches 79
- Creating Velocity Switches 80
- MIDI settings 81
- Altering Programs to fit 82
- Combination 83
- Overview 85
- Patterns 86
- Cue List 86
- Playing Songs 88
- Playing Songs Playback 89
- MIDI recording 91
- 92
- 92
- Recording MIDI in real-time 93
- Manual punch-in 94
- Auto punch-in 94
- Loop All Tracks 94
- Bass drum: C3 95
- Snare: E3 95
- Hi hat: F#3 95
- Step recording 96
- Recording variation 97
- Setup in Sequencer mode 98
- Recording patterns 101
- Song editing 103
- Creating RPPR data 105
- RPPR playback 106
- Recording an RPPR 106
- Sampling in Sequencer mode 108
- Creating a cue list 109
- Converting a cue list into a 110
- Saving your song 111
- M3 sequencer file formats 112
- The Compare function 112
- Memory Protect 113
- About MIDI 113
- Sampling Overview 115
- Sampling frequency and bit 116
- Sampling Overview Compare 117
- Creating multisample indexes 118
- Creating multiple samples 119
- Assigning samples to the pads 119
- Basic sampling procedure 120
- Execute the sampling setup 122
- Adjust the recording level 122
- Check the sampled content 123
- Automatic “resampling” 123
- Loop Edit – P2: Loop Edit 124
- Use Zero 125
- Truncate 125
- Sample (waveform data) 126
- Multisample editing – 127
- P3: Multisample Edit 127
- Ripping – P5: Audio CD 128
- Using a sample in a drum kit 129
- Saving multisamples and 129
- Resampling a phrase 130
- Sampling only an external 131
- KARMA function 131
- In-Track Sampling 134
- WAVE file 135
- How Global mode is structured 137
- Global settings 137
- System preference 138
- Audio input settings 139
- MIDI Basic/Routing 139
- External control 139
- Pedal and other controller 140
- Assigning MIDI CC#s to 141
- KARMA, X–Y, and Pad 141
- Creating user scales 141
- Setting Category Names 142
- Using Drum Kits 143
- Editing Drum Kits 144
- Using Exclusive Groups 145
- Saving Drum Kits 146
- Saving data 147
- Writing to internal memory 148
- Writing while X–Y MODE is on 149
- Saving to media (Media–Save) 150
- Media setup 151
- How to save data 151
- Using the M3 as a data filer 152
- Loading data 153
- Loading M3 system update data 155
- Media utility 156
- Creating audio CDs 158
- Viewing information about 160
- Using Effects 161
- Effects in each mode 162
- Routing effect settings 163
- Master effects 164
- Total Effect 165
- Effect settings in Sampling 166
- Insert effects 167
- Common FX LFO 169
- Using KARMA 171
- KARMA module parameters 173
- Dynamic MIDI 173
- KARMA CONTROLS 174
- Performing with KARMA 175
- Performing with the KARMA 177
- KARMA function settings 180
- KARMA module MIDI filtering 181
- KARMA module CC offset 181
- CC Offset 181
- KARMA function settings in 184
- Combination mode 184
- Dynamic MIDI settings 187
- Specifying the random seeds 187
- Synchronizing the KARMA 190
- Slave operation 191
- Master operation 191
- Drum Track function 193
- Track program 194
- Drum Track function on/off 195
- Drum Track function settings 197
- Using the KARMA and Drum 199
- Track functions together 199
- Settings in Combination and 200
- Sequencer modes 200
- Synchronizing the Drum Track 201
- Creating a Drum Track pattern 203
- Editing names 205
- Setting the functions of SW1 206
- Setting the functions of 206
- Realtime Controls Slider 5–8 206
- Using tap tempo 207
- Resetting controller values 207
- Shortcuts 208
- Appendices 209
- Installing options 210
- Available option boards for 211
- Verifying installation 211
- Installing the options and 212
- Installing the EXB-FW 213
- Installing the EXB-M256 214
- Removing the EXB-M256 214
- Troubleshooting 216
- Programs and Combinations 218
- Sampling 219
- X–Y control 220
- Drum Kits 220
- Pads or damper pedal do not 221
- USB Media, and CD 221
- WAVE files 222
- Connections with a computer 222
- Included CD-ROM 222
- Error messages 223
- E (Error–Exceeded) 224
- F (File–Front) 225
- I (Illegal–Index) 225
- M (Master–Multisample) 226
- P (Pattern–Program) 228
- R (Rear sample–Root) 228
- S (Sample–S/P DIF) 228
- T (The clock–Track) 229
- W (Wave) 230
- Types of media supported by 231
- Operations that the M3 can 231
- Specifications and options 232
- MIDI Implementation Chart 236
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