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Sampling

P1 P2 P3 P4 P5 P8

If the CDRW-1 option is installed, you can use P5: Audio CD

to play back an audio CD. In this case as well, the audio will

be input to the TRITON STUDIO as speciﬁed by the settings

you make here. The L channel corresponds to Input 1, and

the R channel corresponds to Input 2.

S/P DIF: The digital audio output from an instrument or

DAT etc. connected to the S/P DIF IN jack can be input to

the TRITON STUDIO. The L channel of the S/P DIF input

will be input as speciﬁed by the Input1 setting below, and

the R channel as speciﬁed by the Input2 setting.

Sample rates of 48 kHz and 96 kHz are supported for S/P

DIF input and output. This is speciﬁed by “S/P DIF Sample

Rate” (Global P0: 0–2a). 96 kHz sample rate data will be con-

verted to 48 kHz when it is sampled.

mLAN: The digital audio output of an instrument or other

device connected to the mLAN connector (when the EXB-

mLAN option is installed) can be input to the TRITON STU-

DIO.

In the Global mode P0: mLAN Input page you must specify

the audio source that will be input. (☞Global P0: 0–5)

In order to select mLAN, the EXB-mLAN option must

be installed, and you must set “System Clock” (Global

P0: 0–2a) to mLAN.

Input1:

Input2:

Level [0...127]

Speciﬁes the level of the external audio signal that will be

input (selected by “Input” 0–2a). Normally you will set this

at 127.

The analog audio signals from the AUDIO INPUT 1, 2

jacks and from the CDRW-1 option are converted by a

AD converter from analog to digital signals. This

parameter sets the level of the signal immediately after

it has been converted into digital form. If the sound is

distorted even though this level setting is very low, it is

possible that the sound is distorting earlier than the AD

converter. Try adjusting the [LEVEL] knob or the out-

put level of the external audio source.

Pan [L000...C064...R127]

Speciﬁes the panning of the external audio signal being

input (speciﬁed by “Input”). When inputting a stereo audio

source, you will normally set Input1 to L000 and Input2 to

R127. (For example settings, ☞p.91, BG p.37, 102)

BUS (IFX/Indiv.) Select

[L/R, IFX1...5, 1...4, 1/2, 3/4, Off]

Speciﬁes the bus to which the external audio signal will be

sent.

L/R: The external audio signal will be sent to the L/R bus.

Normally you will select L/R.

IFX1...5: The external audio signal will be sent to the corre-

sponding IFX1–5 bus. Select this when you want to apply an

insert effect while sampling. (“2–3. Sampling mode”

☞p.180)

1...4, 1/2, 3/4: The external audio signal will be sent to the

corresponding bus(s) 1–4. (“2–3. Sampling mode” ☞p.180)

Off: The external audio signal will not be input.

0–2b: Recording Setup

Source BUS [L/R, Indiv.1/2]

Selects the source that you want to sample. The sound being

sent to this bus will be sampled.

L/R: The sound being sent to the L/R bus will be sampled.

The external audio signal(s) (speciﬁed by “Input” 0–2a) sent

to the L/R bus, and the sound played by the TRITON STU-

DIO from its keyboard or from MIDI input etc. and sent to

the L/R bus, will be sampled. You will also use the L/R set-

ting when sampling a sound processed by an insert effect.

Indiv.1/2: The sound being sent to the INDIVIDUAL 1, 2, or

1/2 buses will be sampled.

The external audio signal(s) (speciﬁed by “Input” 0–2a) sent

to the 1, 2, or 1/2 buses, and the sound played by the TRI-

TON STUDIO from its keyboard or from MIDI input etc. and

sent to the INDIVIDUAL 1, 2, or 1/2 buses, will be sampled.

Trigger [Sampling START SW, Note On, Threshold]

Speciﬁes how sampling will be initiated.

Sampling START SW: Pressing the SAMPLING [REC] key

will cause the TRITON STUDIO to enter sampling-standby

mode, and sampling will begin when you press the SAM-

PLING [START/STOP] key.

1 Press the SAMPLING [REC] key to enter sampling-

standby mode.

2 Use the “Recording Level [dB]” slider to adjust the sam-

pling level.

3 Sampling will begin when you press the SAMPLING

[START/STOP] key. (If you are using the “Metronome

Precount” function, pressing the SAMPLING [START/

STOP] key will cause sampling to begin after the metro-

nome sounds a count-down. If Metronome Setup “BUS

(Output) Select” (0–3c) is set to L/R, the metronome will

stop sounding at the moment that sampling begins.

4 To stop sampling, press the [START/STOP] key once

again. Sampling will also stop automatically if it contin-

ues to the speciﬁed “Sample Time” (0–1c).

If you want to apply an effect etc. to an existing sample and

automatically create a new sample (Resampling), set “Trig-

ger” to Sampling START SW, and set “Resample” (0–2b) to

Auto. (☞“Resample” Auto)

Note On: Sampling will begin when you play the keyboard

after having pressing the SAMPLING [REC] key and then

the SAMPLING [START/STOP] key.

Sampling will also begin if a MIDI note-on is received

(instead of playing the keyboard).

1 Perform steps 1 and 2, above.

2 Press the SAMPLING [START/STOP] key.

3 When you play the keyboard or when a MIDI note-on is

received, sampling will start automatically.

4 To stop sampling, perform step 4, above.

Threshold: Sampling will begin automatically when the

input level exceeds the speciﬁed “Level.”

1 Press the SAMPLING [REC] key to enter sampling-

standby mode.

2 Use the “Recording Level [dB]” slider to adjust the sam-

pling level.

Be careful of the change in the monitoring volume.

(“Recording Level [dB]” 0–1d)

3 Adjust the “Level” setting. The black triangles at both

sides of the “Recording Level [dB]” level bar display will

indicate the “Level” value. Normally you will set this to a

low a level as possible without allowing sampling to be

triggered by noise.

4 Press the SAMPLING [START/STOP] key. When the

input level exceeds the “Level” you speciﬁed, sampling

will begin automatically.

5 To stop sampling, press the [START/STOP] key once

again. Alternatively, sampling will end automatically if it

continues to the time speciﬁed for “Sample Time” (0–1c).

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Korg Triton Studio Manuel d'utilisateur Page 108

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Korg Triton Studio Manuel d'utilisateur Page 108

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