Korg Triton Studio Manuel d'utilisateur télécharger pdf (Page 271)

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is running, note-on/off messages will be transmitted by the

arpeggiator. (If Local Control is off, the arpeggiator will not

transmit note-on/off data. “Local Control On settings”

☞p.259)

However, most instruments do not receive or transmit note-

off velocity, and neither does the TRITON STUDIO.

Program Change/Bank Select

Changing the program/bank

Program change [Cn, pp]

(n: channel, pp: program number that allows 128 sounds to

be selected)

• Programs 000–127 in banks I-A–I-F correspond to

program changes [Cn, 00]–[Cn, 7F].

• Programs 001–128 in banks G, g(1), g(2), g(3), g(4), g(5),

g(6), g(7), g(8), g(9), and g(d) correspond to program

changes [Cn, 00]–[Cn, 7F].

Bank select MSB (CC#0) [Bn, 00, mm]

Bank select LSB (CC#32) [Bn, 20, bb]

(n: channel, mm: bank number upper byte, bb: bank number

lower byte)

• The internal banks that correspond to each bank select

number will depend on the “Bank Map” setting (Global

P0: 0–2a). With the factory settings, this will be GM(2).

(“Bank Map” ☞p.137)

Simply receiving a Bank Select message will not cause the

program or bank to change. The program or bank will actu-

ally change when a Program Change message is received.

Program mode

• In Program P0: Play, program change and bank select

messages are transmitted and received on the global

MIDI channel. These messages are not received in P1:

Edit-Basic – P9: Edit-Master Effect.

Combination, Sequencer, and Song Play modes

• Program change and bank select messages can be

received on the MIDI channel specified for each timbre/

track to select programs on that timbre/track.

• When you select a combination, program change and

bank select messages will be transmitted by timbres

whose “Status” is EXT or EX2.

In Sequencer and Song Play modes, program change or

bank select messages will be transmitted by tracks whose

“Status” is BTH, EXT, or EX2 when you select the “Pro-

gram Select” (P0: Program page), when you select a song,

or when you return to the beginning of a measure. (“Pro-

gram select” ☞p.51)

• In Combination and Sequencer modes, transmission/

reception can be switched on/off for each timbre/track.

(“Enable Program Change” ☞p.40, 65).

Selecting combinations

You can use program change and bank select messages to

select combinations in the same way that you select pro-

grams.

• Combinations 000–127 in banks I-A–I-E and E-A–E-G

correspond to program changes [Cn, 00]–[Cn, 7F].

• Similarly as for program banks, the internal banks that

correspond to each bank select number will depend on

the “Bank Map” setting (Global P0: 0–2a). (“Bank Map”

☞p.137)

• In Combination P0: Play, program change and bank

select messages are transmitted/received on the global

MIDI channel. They are not received in P1: Edit-

Program/Mixer – P9: Edit-Master FX.

All program changes can be turned off in MIDI Filter

(Global P1: 1–1b)

As needed, you can independently turn all program changes

on/off, specify whether or not incoming messages will be

able to change combinations, and turn reception/transmis-

sion of bank select messages on/off.

• If “Enable Combination Change” (Global P1: 1–1b) is

unchecked, the combination will not change even if a

program change on the global MIDI channel is received

in Combination P0: Play. In this case, the program of the

timbre that matches the MIDI channel of the received

message will change.

• If “Enable Bank Change” (Global P1: 1–1b) is unchecked,

bank select messages will not be transmitted or received.

After touch

Channel after touch [Dn, vv] (n: channel, vv: value)

When you apply pressure to the keyboard after playing a

note, an after touch effect will be applied, and Channel After

Touch messages will be transmitted. When these messages

are received, an after touch effect will be applied.

• After touch for the entire instrument can be turned on/

off in Global P1: 1–1b “Enable After Touch.”

• In Combination and Sequencer modes, after touch can

be switched on/off independently for each timbre/track

(“Enable After Touch” Combination P3: 3–1a, Sequncer

P3: 3–3a/4a).

Polyphonic key pressure [An, kk, vv]

(n: channel, kk: note number, vv: value)

There is another type of after touch called Polyphonic Key

Pressure, which allows after touch to be applied indepen-

dently for individual keys. This message can be used as an

alternate modulation source, but cannot be transmitted by

the TRITON STUDIO’s keyboard. In order to use this mes-

sage, it will have to be received from an external device, or

recorded on your sequencer.

The after touch mentioned in this manual refers to Channel

After Touch.

Pitch bender

Pitch bender change [En, bb, mm]

(n: channel, bb: lower byte of the value, mm: upper byte of

the value, together expressing a value of 16,384 steps where

8,192 [bb, mm = 00H, 40H] is the center value)

When the TRITON STUDIO’s joystick is moved in the X axis

(left/right), a pitch bend effect will be applied, and pitch

bender messages will also be transmitted. When these mes-

sages are received, a pitch bend effect will be applied.

The range of pitch change that is produced by pitch

bend messages can also be adjusted via MIDI. (“Chang-

ing the pitch bend range” ☞p.264)

Control change

[Bn, cc, vv]

Transmitted and received as (n: channel, cc: control change

no., vv: value)

Refer to “MIDI transmission when the TRITON STUDIO’s

controllers are operated” (☞p.253) and “TRITON STUDIO

operations when control changes are transmitted/received”

(☞p.255).

• Control changes can be turned on/off as a whole in

“Enable Control Change” (Global P1: 1–1b).

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Korg Triton Studio Manuel d'utilisateur Page 271

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Korg Triton Studio Manuel d'utilisateur Page 271

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