Korg Triton Studio Manuel d'utilisateur Page 240
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Effect
229
083: Wah – Amp Sim
(Wah/Auto Wah – Amp Simulation)
This effect combines a mono-type wah and an amp simula-
tion. You can change the order of the effect connection.
084: Decimator – Amp
(Decimator – Amp Simulation)
This effect combines a mono-type decimator and an amp sim-
ulation. You can change the order of the effect connection.
085: Decimator – Comp
(Decimator – Compressor)
This effect combines a mono-type decimator and a compres-
sor. You can change the order of the effect connection.
a
[W] Frequency Bottom
Sets the lower limit of the wah center frequency
0...100
☞ Fx:009
Frequency Top
Sets the upper limit of the wah center frequency
0...100
☞ Fx:009
b
[W] Sweep Mode Auto, D-mod, LFO
Selects the control from auto-wah, modulation source, and LFO
☞ Fx:009,
Src Off...Tempo
Selects the modulation source for the wah when Sweep Mode=D-
mod
c
[W] LFO Frequency [Hz]
Sets the LFO speed
0.02...20.00Hz
d
[W] Resonance
Sets the resonance amount
0...100
Low Pass Filter
Switches the wah low pass filter on and off
Off, On
e
[A] Amplifier Type
Selects the type of guitar amplifier
SS, EL84, 6L6
f
Routing WAH → AMP, AMP → WAH
Switches the order of the wah and amp simulation connection
g
Wet/Dry Dry, 1:99...99:1, Wet
Sets the balance between the effect and dry sounds
Src Off...Tempo
Selects the modulation source of the effect balance
Amt
Sets the modulation amount of the effect balance
–100...+100
a
[D] Pre LPF Off, On
Turn the harmonic noise caused by lowered sampling on and off
☞ Fx:014
High Damp [%]
Sets the ratio of high-range damping
0...100%
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Routing
Amp Simulation
Amp Simulation Filter
Wah/Auto Wah
Wah
D
-mod
Envelope
Sweep Mode
D-mod
Auto
LFO
LFO
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Decimator
Routing
Amp Simulation
Amp Simulation Filter
Pre LPF
High Damp
Output Level
Decimator
Resolution
b
[D] Sampling Freq (Frequency) [Hz]
Sets the sampling frequency
1.00k...48.00kHz
Resolution
Sets the data bit length
4...24
☞ Fx:014
c
[D] Output Level
Sets the decimator output level
0...100
☞ Fx:014
d
[A] Amplifier Type
Selects the type of guitar amplifier
SS, EL84, 6L6
e
Routing DECI→AMP, AMP→DECI
Switches the order of the wah and amp simulation connection
f
Wet/Dry Dry, 1:99...99:1, Wet
Sets the balance between the effect and dry sounds
Src Off...Tempo
Selects the modulation source of the effect balance
Amt
Sets the modulation amount of the effect balance
–100...+100
a
[D] Pre LPF Off, On
Turn the harmonic noise caused by lowered sampling on and off
☞ Fx:014
High Damp [%]
Sets the ratio of high-range damping
0...100%
b
[D] Sampling Freq (Frequency)[Hz]
Sets the sampling frequency
1.00k...48.00kHz
Resolution
Sets the data bit length
4...24
☞ Fx:014
c
[D] Output Level
Sets the decimator output level
0...100
☞ Fx:014
d
[C] Sensitivity
Sets the sensitivity
1...100
☞ Fx:002
e
[C] Attack
Sets the attack level
1...100
☞ Fx:002
Output Level
Sets the compressor output level
0...100
☞ Fx:002
f
Routing DECI→CMP, CMP→DECI
Switches the order of the decimator and compressor connection
g
Wet/Dry Dry, 1:99...99:1, Wet
Sets the balance between the effect and dry sounds
Src Off...Tempo
Selects the modulation source of the effect balance
Amt
Sets the modulation amount of the effect balance
–100...+100
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Decimator
Routing
Pre LPF
High Damp
Output Level
Decimator
Resolution
Compressor
Comp
Output Level
Envelope - Control
- About this manual 2
- Table of Contents 3
- About the Jump pages 4
- 1. Program mode 12
- 0–1b: Program Information 13
- 0–1c: Performance Editor 13
- 0–2: Arpeggio 14
- 0–3: Sampling 15
- 0–3c: Recording Level [dB] 16
- ▼ 0–3: Page Menu Command 17
- Program P1: Edit–Basic 18
- 1–1c: Scale 19
- 1–2: OSC Basic 20
- 1–2b: OSC2 Multisample 21
- 1–2d: Drum Kit 21
- ▼ 1–2: Page Menu Command 21
- (Velocity Zone) 22
- Program P2: Edit–Pitch 23
- 2–1b: Pitch EG 24
- 2–1c: Portamento 24
- 2–1d: LFO1/2 24
- 2–3: Pitch EG 25
- 2–3c: Time Modulation 26
- ▼ 2–3: Page Menu Command 26
- Program P3: Edit–Filter 27
- 3–2: Filter1 Mod 28
- 3–3: Filter1 LFO Mod 29
- 3–4: Filter1 EG 30
- 3–4c: Time Modulation 31
- ▼ 3–4: Page Menu Command 31
- Program P4: Edit–Amp 32
- 4–2: Amp1 Mod 33
- 4–3: Amp1 EG 34
- 4–4: Amp2 Level/Pan 35
- 4–5: Amp2 Mod 35
- 4–6: Amp2 EG 35
- Program P5: Edit–Common LFO 36
- Program P7: Edit–Arpeggiator 37
- 7–1b: Arpeggiator Setup 38
- ▼ 7–1: Page Menu Command 38
- 7–2: Scan Zone 39
- 8–1: Routing 39
- 8–2: Insert FX 40
- 8–3: IFX 1 41
- 8–4: IFX 2 41
- 8–5: IFX 3 41
- 8–6: IFX 4 41
- 8–7: IFX 5 41
- 9–1: Master FX 42
- 9–2: MFX 1 43
- 9–3: MFX 2 43
- 9–4: Master EQ 43
- 2. Combination mode 44
- Timbre Number 45
- Category 45
- Program Select 45
- 0–2: Mixer 46
- 0–5: Sampling 47
- 1–1: Program/Mixer 48
- 2–1: MIDI Channel (MIDI Ch) 49
- 2–2: OSC 49
- 2–3: Pitch 50
- 2–4: Other 51
- 3–1: MIDI 1 (MIDI Filter –1) 51
- 3–2: MIDI 2 (MIDI Filter –2) 52
- 3–3: MIDI 3 (MIDI Filter –3) 52
- 3–4: MIDI 4 (MIDI Filter –4) 52
- 4–1: Key Z (Key Zone) 53
- 4–2: Vel Z (Vel Zone) 53
- 4–3: MOSS Setup (MOSS) 54
- 4–4: Controller (Control) 54
- Combination P7: Edit–Arp 55
- 8–2a: IFX1, 2, 3, 4, 5 58
- 8–3(~7)a: Ctrl Ch 58
- 3. Sequencer mode 60
- (Tempo) [040…240, EXT] 61
- Tempo Mode [Auto, Manu, REC] 61
- Song Select [000…199] 61
- 62
- 62
- 0–1G: Load Template Song 64
- 0–7: Sampling 67
- 0–8: Preference 68
- 0–8b: Metronome Setup 69
- Sequencer P1: Cue List 70
- Sequencer P2: Trk Param 73
- 2–3: OSC 1–8 (OSC T01–08) 74
- 2–4: OSC 9–16 (OSC T09–16) 74
- 2–5: Pitch 1–8 (Pitch T01–08) 74
- 2–7: Other 1–8 (Other T01–08) 75
- Sequencer P3: MIDI Filter 76
- Sequencer P4: Zone/Ctrl 77
- 4–5: MOSS 1–8 (MOSS T01–08) 78
- 4–6: MOSS 9–16 (MOSS T09–16) 78
- Sequencer P5: Track Edit 79
- Sequencer 80
- P1 P2 P3 P4 P5 P6 P7 P8 P9 80
- 5–1B: Event Edit 80
- 5–1C: Erase Track 81
- 5–1D: Copy Track 81
- 5–1E: Bounce Track 81
- 5–1F: Erase Measure 81
- 5–1G: Delete Measure 82
- 5–1H: Insert Measure 82
- 5–1I: Repeat Measure 83
- 5–1J: Copy Measure 83
- 5–1K: Move Measure 83
- 5–1N: Quantize 84
- 5–1O: Shift/Erase Note 85
- 5–2: Track Name 86
- Sequencer P6: Pattern/RPPR 87
- ▼ 6–1: Page Menu Command 88
- 6–2: Pattern Name 89
- 6–3: RPPR Setup 90
- Mode [Once, Manual, Endless] 91
- Shift [–12...+12] 91
- Sequencer P7: Arpeggiator 92
- Sequencer P8: Insert Effect 94
- 8–3: Insert FX 95
- Sequencer P9: Master Effect 96
- 4. Sampling mode 98
- Sampling P0: Recording 99
- 0–1c: REC Sample Setup 101
- Sample Time [min sec] 102
- Recording Level [dB] 103
- (Change Multisample Type) 105
- 0–1J: Keyboard Display 106
- 0–1K: Move Sample 106
- 0–2: Input/Setup 107
- 0–2b: Recording Setup 108
- 0–3: Preference 109
- 0–4: Memory Status 110
- Sampling P1: Sample Edit 111
- ▼ 1–1: Page Menu Command 112
- 1–1B: Cut 113
- 1–1C: Clear 113
- 1–1D: Copy 113
- 1–1E: Insert 113
- 1–1F: Mix 114
- 1–1G: Paste 114
- 1–1H: Insert Zero 114
- 1–1I: Normalize/Level Adj 115
- 1–1J: Volume Ramp 115
- 1–1K: Rate Convert 116
- 1–1L: Reverse 116
- 1–1M: Grid 116
- 1-1N: Link 117
- Sampling P2: Loop Edit 118
- Zero, Grid, ZOOM 119
- ▼ 2–1: Page Menu Command 120
- Sampling 122
- P1 P2 P3 P4 P5 P8 122
- Kick + Hi-hat Kick/Hi-hat 122
- 2–1C: Time Stretch 124
- Keyboard & 125
- 2–1D: Crossfade Loop 127
- Playback Repeated playback 127
- Sampling P3: Multisample 128
- ▼ 3–1: Page Menu Command 129
- Sampling P4: Controller Setup 130
- Sampling P5: Audio CD 131
- 5–1b: Drive, Track, Index 132
- 5–1c: Volume 132
- 5–1d: Ripping 132
- ▼ 5–1: Page Menu Command 132
- Sampling P8: Insert Effect 133
- 5. Song Play mode 134
- ▼ 0–1: Page Menu Command 135
- 0–3: Mixer 1–8 (Mixer T01–08) 136
- 0–5: Preference 136
- Song Play P1: Track 137
- (Preference) 138
- Jukebox 139
- Song Play P7: Arpeggiator 140
- (Arpeggiator A) 141
- (Arpeggiator B) 141
- (Scan Zone A/B) 141
- Song Play P8: Insert Effect 142
- ▼ 8–1: Page Menu Command 143
- 8–4(–8)a: Ctrl Ch 143
- Song Play P9: Master Effect 144
- 6. Global mode 146
- 0–1b: Effect Global SW 147
- 0–1c: Auto Arpeggiator 147
- 0–2: System Preference 148
- S/P DIF Sample Rate 149
- 0–3: Input/Sampling 150
- 0–4: mLAN Output 151
- 0–5: mLAN Input 152
- Global P1: MIDI 153
- 1–1b: MIDI Filter 155
- Transmission 156
- Reception 156
- Global P2: Controller 157
- Global P3: User Scale 157
- Global P4: Category Name 158
- Global P5: Drum Kit 159
- 5–1c: Low Drumsample 160
- 5–2: Voice/Mixer 161
- Global P6: User Arpeggio 162
- 6–1b: Arpeggio Pattern Setup 163
- 6–2: Pattern Edit 164
- ▼ 6–2: Page Menu Command 165
- 7. Disk mode 166
- 0–1: Load 167
- 0–1d: Open button, Up button 168
- .SNG Allocation 169
- .KSC Allocation 169
- 0-10-20-30-40-50-6 170
- Loading sample data 173
- Loading multiple files 173
- Program files 175
- 0–2: Save 176
- 0–2B: Save PCG & SEQ 177
- 0–2G: Save Exclusive 179
- 0–2H: Export Smpl AIF/WAV 179
- (Export Samples as AIFF/WAVE) 179
- 0–3: Utility 180
- 0–3C: Delete 181
- 0–3D: Create Directory 181
- 0–3E: Set Date/Time 181
- 0–3F: Format 181
- 0–3H: Rate Convert 182
- 0–3I: Check Medium 182
- 0–4: Make Audio CD 183
- 0–4d: Drive select 184
- ▼ 0–4: Page Menu Command 184
- 0–5: Play Audio CD 185
- (Media Information) 186
- 0–6A: Scan SCSI device 187
- 8. Effect Guide 188
- Double-size effects 189
- 2. Routing 190
- DrumKit IFX Patch dialog 191
- After setting the parameters 191
- 3. Mixer 192
- Master Effects (MFX1, 2) 193
- Master EQ 196
- Main Output 196
- Individual Outputs 196
- Effect/Mixer Block Diagram 197
- (Stereo Amp Simulation) 198
- Low Offset 199
- Gate+Sus 200
- (Stereo Parametric 4-Band EQ) 201
- (Stereo Graphic 7 Band EQ) 202
- (Stereo Wah/Auto Wah) 202
- (Stereo Random Filter) 203
- (Stereo Exciter/Enhancer) 204
- (Stereo Sub Oscillator) 204
- Talking Modulator 205
- (Stereo Analog Record) 206
- Pitch/Phase Mod 207
- Chorus/Flanger 207
- (Multitap Chorus/Delay) 208
- LFO Shape 209
- LFO Shape = 0...+100 209
- LFO Shape = 0...–100 209
- LFO Waveform=Sine 209
- (Stereo Envelope Flanger) 210
- (Stereo Random Phaser) 211
- (Stereo Envelope Phaser) 211
- (Stereo Biphase Modulation) 212
- (Stereo Auto Fade Modulation) 213
- Recorded Sound 215
- Scratch Source 215
- (Stereo Envelope Tremolo) 216
- (Stereo Phaser + Tremolo) 217
- Ring Modulator 218
- Note No 218
- Pitch Shifter 219
- (Pitch Shift Modulation) 220
- Early Reflections 221
- Rec Mode = Single 222
- Rec Mode = Multi 222
- (Stereo Multitap Delay) 223
- LFO Sync 224
- (Stereo Auto Panning Delay) 225
- (Stereo BPM Delay) 226
- Reverb effects 227
- Parametric 4Band EQ Exciter 228
- Parametric 4Band EQ 229
- Wah/Auto Wah 229
- Parametric 4Band EQ Phaser 230
- (Compressor – Wah/Auto Wah) 231
- (Compressor – Amp Simulation) 231
- (Compressor – Chorus/Flanger) 232
- (Compressor – Phaser) 233
- (Compressor – Multitap Delay) 233
- (Limiter – Chorus/Flanger) 234
- LFO: Tri / Sine 235
- (Exciter – Compressor) 236
- (Exciter – Chorus/Flanger) 236
- (Exciter – Multitap Delay) 237
- (Overdrive/Hi.Gain – Phaser) 239
- (Decimator – Amp Simulation) 240
- (Decimator – Compressor) 240
- (Amp Simulation – Tremolo) 241
- Pre Delay 242
- Gate+Dmpr 242
- Double Size 243
- Generator 244
- (Stereo Pitch Shifter) 245
- (Rotary Speaker Overdrive) 246
- (Stereo/Cross Long Delay) 247
- (L/C/R BPM Long Delay) 248
- (Stereo BPM Long Delay) 248
- 9. Appendices 252
- Appendices 254
- Alternate Modulation settings 255
- Dynamic Modulation Source 257
- Example 1. LFO 259
- Example 2. Delay Time 259
- SW1/2 Assign 260
- Knob 1...4 B-Assign 261
- Foot Switch Assign 262
- Foot Pedal Assign 263
- MIDI transmission when the 264
- TRITON STUDIO operations 266
- MIDI applications 269
- Program Change/Bank Select 271
- After touch 271
- Pitch bender 271
- Control change 271
- Effect control 273
- Transposing 275
- Changing the pitch bend range 275
- MIDI device as slave 277
- TON STUDIO as slave 277
- About standard MIDI files 279
- 1.TRANSMITTED DATA 280
- 2.RECOGNIZED RECEIVE DATA 281
- Various messages 283
- Data compatibility 290
- TON STUDIO and TRITON 291
- TRITON STUDIO and TRITON but 292
- Disk mode information 294
- About KORG format files 295
- KSC(Korg SCript) file 296
- Filename conventions 296
- Safety precautions 297
- Warnings 297
- Cautions 297
- Checking after installation 298
- Installing an EXB-PCM 299
- Removing an EXB-PCM 300
- Installing a DRAM SIMM 301
- Installing the EXB-MOSS 302
- Installing the EXB-DI 303
- Installing the EXB-mLAN 304
- Viewed from below 305
- Manual eject hole 307
- Terminate the last device 309
- TRITON STUDIO 310
- EXB-DI option 311
- Offset, LFO 25 316
- Drum Kit 149 316
- KORG INC 322
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