Korg Triton Studio Manuel d'utilisateur Page 225
- Page / 322
- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
214
a: Control Target
This parameter selects no level control, delay output control
(effect balance), or feedback amount control.
a: Polarity, b: Threshold, b: Offset, c: Attack, d: Release
The “Offset” parameter specifies the value for the “Control Tar-
get” parameter (that is set to None), expressed as the ratio relative
to the parameter value (the “Wet/Dry” value with “Control Tar-
get”=Out, or the “Feedback” value with “Control Target”=FB).
When “Polarity” is positive, the “Control Target” value is
obtained by multiplying the parameter value by the “Offset”
value (if the input level is below the threshold), or equals the
parameter value if the input level exceeds the threshold.
When “Polarity” is negative, Control Target value equals the
parameter value if the input level is below the threshold, or is
obtained by multiplying the parameter value by the “Offset”
value if the level exceeds the threshold.
The “Attack” and “Release” parameters specify attack time and
release time of delay level control.
048: St. Auto Panning Dly
(Stereo Auto Panning Delay)
This stereo delay effect pans the delay sound left and right
using the LFO.
049: L/C/R BPM Delay
The L/C/R delay enables you to match the delay time with
the song tempo. You can also synchronize the delay time with
the arpeggiator or sequencer. If you program the tempo
before performance, you can achieve a delay effect that syn-
chronizes with the song in real-time. Delay time is set by
notes.
a
L Delay Time [msec]
Sets the delay time for the left channel
0.0...680.0msec
L Feedback
Sets the feedback amount for the left channel
–100...+100
b
R Delay Time [msec]
Sets the delay time for the right channel
0.0...680.0msec
R Feedback
Sets the feedback amount for the right channel
–100...+100
c
High Damp [%]
Sets the damping amount in the high range
0...100%
☞ Fx:043
Low Damp [%]
Sets the damping amount in the low range
0...100%
☞ Fx:043
d
LFO Waveform
Selects LFO Waveform
Triangle, Sine
LFO Shape –100...+100
Determines how much the LFO waveform is changed
☞ Fx:020
e
LFO Phase [degree] –180...+180
Sets the LFO phase difference between the left and right
☞ Fx:034
Dynamic Delay
Threshold
Dry
Envelope
Wet
Control Target=Out
Polarity= (–)
Wet
Control Target=Out
Polarity= (+)
Delay Time
Time
(Ducking Delay)
Release
Attack
Level
Left
Right
Wet / Dry
Wet / Dry
Stereo In - Stereo Out
LFO Phase
LFO Shape
Pan
Pan
LFO: Tri / Sin
Depth
Delay
Delay
High Damp Low Damp
High Damp
Low Damp
Feedback
f
Panning Freq (Frequency) [Hz]
Sets the panning speed
0.02...20.00Hz
g
Panning Depth
Sets the panning width
0...100
Src Off...Tempo
Selects the modulation source for the panning width
Amt
Set the modulation amount of the panning width
–100...+100
h
Wet/Dry Dry, 1:99...99:1, Wet
Sets the balance between the effect and dry sounds
Src Off...Tempo
Selects the modulation source of the effect balance
Amt
Sets the modulation amount of the effect balance
–100...+100
a
BPM
Selects MIDI Clock and assigns tempo
MIDI, 40...240
☞,
Time Over? > ----, OVER!!
Displays an error message when the delay time exceeds the upper
limit
☞
b
L Delay Base Note
Selects the type of notes to specify the delay time for TapL
☞,
Times x1...x16
Sets the number of notes to specify the delay time for TapL
☞
Level
Sets the output level of TapL
0...50
c
C Delay Base Note
Selects the type of notes to specify the delay time for TapC
☞,
Times x1...x16
Sets the number of notes to specify the delay time for TapC
☞
Level
Sets the output level of TapC
0...50
d
R Delay Base Note
Selects the type of notes to specify the delay time for TapR
☞,
Times x1...x16
Sets the number of notes to specify the delay time for TapR
☞
Level
Sets the output level of TapR
0...50
e
Feedback (C Delay)
Sets the feedback amount of TapC
–100...+100
Src Off...Tempo
Selects the modulation source for the TapC feedback
Amt –100...+100
Sets the modulation amount of the TapC feedback
C Delay
R Delay
Left
Right
Feedback
Spread
Wet / Dry
Wet / Dry
Wet: Mono In - Stereo Out / Dry: Stereo In -Stereo Out
Input Level D-mod
High Damp
Low Damp
L Delay
Input Level D-mod
+
Level
Level
Level
Tempo
BPM
BPM
Base Note x Times
Base Note x Times
Base Note x Times
- About this manual 2
- Table of Contents 3
- About the Jump pages 4
- 1. Program mode 12
- 0–1b: Program Information 13
- 0–1c: Performance Editor 13
- 0–2: Arpeggio 14
- 0–3: Sampling 15
- 0–3c: Recording Level [dB] 16
- ▼ 0–3: Page Menu Command 17
- Program P1: Edit–Basic 18
- 1–1c: Scale 19
- 1–2: OSC Basic 20
- 1–2b: OSC2 Multisample 21
- 1–2d: Drum Kit 21
- ▼ 1–2: Page Menu Command 21
- (Velocity Zone) 22
- Program P2: Edit–Pitch 23
- 2–1b: Pitch EG 24
- 2–1c: Portamento 24
- 2–1d: LFO1/2 24
- 2–3: Pitch EG 25
- 2–3c: Time Modulation 26
- ▼ 2–3: Page Menu Command 26
- Program P3: Edit–Filter 27
- 3–2: Filter1 Mod 28
- 3–3: Filter1 LFO Mod 29
- 3–4: Filter1 EG 30
- 3–4c: Time Modulation 31
- ▼ 3–4: Page Menu Command 31
- Program P4: Edit–Amp 32
- 4–2: Amp1 Mod 33
- 4–3: Amp1 EG 34
- 4–4: Amp2 Level/Pan 35
- 4–5: Amp2 Mod 35
- 4–6: Amp2 EG 35
- Program P5: Edit–Common LFO 36
- Program P7: Edit–Arpeggiator 37
- 7–1b: Arpeggiator Setup 38
- ▼ 7–1: Page Menu Command 38
- 7–2: Scan Zone 39
- 8–1: Routing 39
- 8–2: Insert FX 40
- 8–3: IFX 1 41
- 8–4: IFX 2 41
- 8–5: IFX 3 41
- 8–6: IFX 4 41
- 8–7: IFX 5 41
- 9–1: Master FX 42
- 9–2: MFX 1 43
- 9–3: MFX 2 43
- 9–4: Master EQ 43
- 2. Combination mode 44
- Timbre Number 45
- Category 45
- Program Select 45
- 0–2: Mixer 46
- 0–5: Sampling 47
- 1–1: Program/Mixer 48
- 2–1: MIDI Channel (MIDI Ch) 49
- 2–2: OSC 49
- 2–3: Pitch 50
- 2–4: Other 51
- 3–1: MIDI 1 (MIDI Filter –1) 51
- 3–2: MIDI 2 (MIDI Filter –2) 52
- 3–3: MIDI 3 (MIDI Filter –3) 52
- 3–4: MIDI 4 (MIDI Filter –4) 52
- 4–1: Key Z (Key Zone) 53
- 4–2: Vel Z (Vel Zone) 53
- 4–3: MOSS Setup (MOSS) 54
- 4–4: Controller (Control) 54
- Combination P7: Edit–Arp 55
- 8–2a: IFX1, 2, 3, 4, 5 58
- 8–3(~7)a: Ctrl Ch 58
- 3. Sequencer mode 60
- (Tempo) [040…240, EXT] 61
- Tempo Mode [Auto, Manu, REC] 61
- Song Select [000…199] 61
- 62
- 62
- 0–1G: Load Template Song 64
- 0–7: Sampling 67
- 0–8: Preference 68
- 0–8b: Metronome Setup 69
- Sequencer P1: Cue List 70
- Sequencer P2: Trk Param 73
- 2–3: OSC 1–8 (OSC T01–08) 74
- 2–4: OSC 9–16 (OSC T09–16) 74
- 2–5: Pitch 1–8 (Pitch T01–08) 74
- 2–7: Other 1–8 (Other T01–08) 75
- Sequencer P3: MIDI Filter 76
- Sequencer P4: Zone/Ctrl 77
- 4–5: MOSS 1–8 (MOSS T01–08) 78
- 4–6: MOSS 9–16 (MOSS T09–16) 78
- Sequencer P5: Track Edit 79
- Sequencer 80
- P1 P2 P3 P4 P5 P6 P7 P8 P9 80
- 5–1B: Event Edit 80
- 5–1C: Erase Track 81
- 5–1D: Copy Track 81
- 5–1E: Bounce Track 81
- 5–1F: Erase Measure 81
- 5–1G: Delete Measure 82
- 5–1H: Insert Measure 82
- 5–1I: Repeat Measure 83
- 5–1J: Copy Measure 83
- 5–1K: Move Measure 83
- 5–1N: Quantize 84
- 5–1O: Shift/Erase Note 85
- 5–2: Track Name 86
- Sequencer P6: Pattern/RPPR 87
- ▼ 6–1: Page Menu Command 88
- 6–2: Pattern Name 89
- 6–3: RPPR Setup 90
- Mode [Once, Manual, Endless] 91
- Shift [–12...+12] 91
- Sequencer P7: Arpeggiator 92
- Sequencer P8: Insert Effect 94
- 8–3: Insert FX 95
- Sequencer P9: Master Effect 96
- 4. Sampling mode 98
- Sampling P0: Recording 99
- 0–1c: REC Sample Setup 101
- Sample Time [min sec] 102
- Recording Level [dB] 103
- (Change Multisample Type) 105
- 0–1J: Keyboard Display 106
- 0–1K: Move Sample 106
- 0–2: Input/Setup 107
- 0–2b: Recording Setup 108
- 0–3: Preference 109
- 0–4: Memory Status 110
- Sampling P1: Sample Edit 111
- ▼ 1–1: Page Menu Command 112
- 1–1B: Cut 113
- 1–1C: Clear 113
- 1–1D: Copy 113
- 1–1E: Insert 113
- 1–1F: Mix 114
- 1–1G: Paste 114
- 1–1H: Insert Zero 114
- 1–1I: Normalize/Level Adj 115
- 1–1J: Volume Ramp 115
- 1–1K: Rate Convert 116
- 1–1L: Reverse 116
- 1–1M: Grid 116
- 1-1N: Link 117
- Sampling P2: Loop Edit 118
- Zero, Grid, ZOOM 119
- ▼ 2–1: Page Menu Command 120
- Sampling 122
- P1 P2 P3 P4 P5 P8 122
- Kick + Hi-hat Kick/Hi-hat 122
- 2–1C: Time Stretch 124
- Keyboard & 125
- 2–1D: Crossfade Loop 127
- Playback Repeated playback 127
- Sampling P3: Multisample 128
- ▼ 3–1: Page Menu Command 129
- Sampling P4: Controller Setup 130
- Sampling P5: Audio CD 131
- 5–1b: Drive, Track, Index 132
- 5–1c: Volume 132
- 5–1d: Ripping 132
- ▼ 5–1: Page Menu Command 132
- Sampling P8: Insert Effect 133
- 5. Song Play mode 134
- ▼ 0–1: Page Menu Command 135
- 0–3: Mixer 1–8 (Mixer T01–08) 136
- 0–5: Preference 136
- Song Play P1: Track 137
- (Preference) 138
- Jukebox 139
- Song Play P7: Arpeggiator 140
- (Arpeggiator A) 141
- (Arpeggiator B) 141
- (Scan Zone A/B) 141
- Song Play P8: Insert Effect 142
- ▼ 8–1: Page Menu Command 143
- 8–4(–8)a: Ctrl Ch 143
- Song Play P9: Master Effect 144
- 6. Global mode 146
- 0–1b: Effect Global SW 147
- 0–1c: Auto Arpeggiator 147
- 0–2: System Preference 148
- S/P DIF Sample Rate 149
- 0–3: Input/Sampling 150
- 0–4: mLAN Output 151
- 0–5: mLAN Input 152
- Global P1: MIDI 153
- 1–1b: MIDI Filter 155
- Transmission 156
- Reception 156
- Global P2: Controller 157
- Global P3: User Scale 157
- Global P4: Category Name 158
- Global P5: Drum Kit 159
- 5–1c: Low Drumsample 160
- 5–2: Voice/Mixer 161
- Global P6: User Arpeggio 162
- 6–1b: Arpeggio Pattern Setup 163
- 6–2: Pattern Edit 164
- ▼ 6–2: Page Menu Command 165
- 7. Disk mode 166
- 0–1: Load 167
- 0–1d: Open button, Up button 168
- .SNG Allocation 169
- .KSC Allocation 169
- 0-10-20-30-40-50-6 170
- Loading sample data 173
- Loading multiple files 173
- Program files 175
- 0–2: Save 176
- 0–2B: Save PCG & SEQ 177
- 0–2G: Save Exclusive 179
- 0–2H: Export Smpl AIF/WAV 179
- (Export Samples as AIFF/WAVE) 179
- 0–3: Utility 180
- 0–3C: Delete 181
- 0–3D: Create Directory 181
- 0–3E: Set Date/Time 181
- 0–3F: Format 181
- 0–3H: Rate Convert 182
- 0–3I: Check Medium 182
- 0–4: Make Audio CD 183
- 0–4d: Drive select 184
- ▼ 0–4: Page Menu Command 184
- 0–5: Play Audio CD 185
- (Media Information) 186
- 0–6A: Scan SCSI device 187
- 8. Effect Guide 188
- Double-size effects 189
- 2. Routing 190
- DrumKit IFX Patch dialog 191
- After setting the parameters 191
- 3. Mixer 192
- Master Effects (MFX1, 2) 193
- Master EQ 196
- Main Output 196
- Individual Outputs 196
- Effect/Mixer Block Diagram 197
- (Stereo Amp Simulation) 198
- Low Offset 199
- Gate+Sus 200
- (Stereo Parametric 4-Band EQ) 201
- (Stereo Graphic 7 Band EQ) 202
- (Stereo Wah/Auto Wah) 202
- (Stereo Random Filter) 203
- (Stereo Exciter/Enhancer) 204
- (Stereo Sub Oscillator) 204
- Talking Modulator 205
- (Stereo Analog Record) 206
- Pitch/Phase Mod 207
- Chorus/Flanger 207
- (Multitap Chorus/Delay) 208
- LFO Shape 209
- LFO Shape = 0...+100 209
- LFO Shape = 0...–100 209
- LFO Waveform=Sine 209
- (Stereo Envelope Flanger) 210
- (Stereo Random Phaser) 211
- (Stereo Envelope Phaser) 211
- (Stereo Biphase Modulation) 212
- (Stereo Auto Fade Modulation) 213
- Recorded Sound 215
- Scratch Source 215
- (Stereo Envelope Tremolo) 216
- (Stereo Phaser + Tremolo) 217
- Ring Modulator 218
- Note No 218
- Pitch Shifter 219
- (Pitch Shift Modulation) 220
- Early Reflections 221
- Rec Mode = Single 222
- Rec Mode = Multi 222
- (Stereo Multitap Delay) 223
- LFO Sync 224
- (Stereo Auto Panning Delay) 225
- (Stereo BPM Delay) 226
- Reverb effects 227
- Parametric 4Band EQ Exciter 228
- Parametric 4Band EQ 229
- Wah/Auto Wah 229
- Parametric 4Band EQ Phaser 230
- (Compressor – Wah/Auto Wah) 231
- (Compressor – Amp Simulation) 231
- (Compressor – Chorus/Flanger) 232
- (Compressor – Phaser) 233
- (Compressor – Multitap Delay) 233
- (Limiter – Chorus/Flanger) 234
- LFO: Tri / Sine 235
- (Exciter – Compressor) 236
- (Exciter – Chorus/Flanger) 236
- (Exciter – Multitap Delay) 237
- (Overdrive/Hi.Gain – Phaser) 239
- (Decimator – Amp Simulation) 240
- (Decimator – Compressor) 240
- (Amp Simulation – Tremolo) 241
- Pre Delay 242
- Gate+Dmpr 242
- Double Size 243
- Generator 244
- (Stereo Pitch Shifter) 245
- (Rotary Speaker Overdrive) 246
- (Stereo/Cross Long Delay) 247
- (L/C/R BPM Long Delay) 248
- (Stereo BPM Long Delay) 248
- 9. Appendices 252
- Appendices 254
- Alternate Modulation settings 255
- Dynamic Modulation Source 257
- Example 1. LFO 259
- Example 2. Delay Time 259
- SW1/2 Assign 260
- Knob 1...4 B-Assign 261
- Foot Switch Assign 262
- Foot Pedal Assign 263
- MIDI transmission when the 264
- TRITON STUDIO operations 266
- MIDI applications 269
- Program Change/Bank Select 271
- After touch 271
- Pitch bender 271
- Control change 271
- Effect control 273
- Transposing 275
- Changing the pitch bend range 275
- MIDI device as slave 277
- TON STUDIO as slave 277
- About standard MIDI files 279
- 1.TRANSMITTED DATA 280
- 2.RECOGNIZED RECEIVE DATA 281
- Various messages 283
- Data compatibility 290
- TON STUDIO and TRITON 291
- TRITON STUDIO and TRITON but 292
- Disk mode information 294
- About KORG format files 295
- KSC(Korg SCript) file 296
- Filename conventions 296
- Safety precautions 297
- Warnings 297
- Cautions 297
- Checking after installation 298
- Installing an EXB-PCM 299
- Removing an EXB-PCM 300
- Installing a DRAM SIMM 301
- Installing the EXB-MOSS 302
- Installing the EXB-DI 303
- Installing the EXB-mLAN 304
- Viewed from below 305
- Manual eject hole 307
- Terminate the last device 309
- TRITON STUDIO 310
- EXB-DI option 311
- Offset, LFO 25 316
- Drum Kit 149 316
- KORG INC 322
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